legbreaker part 6
I find the first of them downtown. The files Lusky gave me are some real professional work. I look right to the addresses. It’s still early. Thugs only go out at night. I hail a cab.
I knock on the door and the thug who blasted The Boss opens the door. He’s still got a length of bandage around his hand where The Boss got him with his straight razor. His numb eyes go wide when he recognizes me.
“You!” is all he manages to utter before I’m driving my fist into his face. It makes a sound like two steaks slapping together while porcelain breaks in the background. His head snaps back and there’s a spray of blood with teeth in it. This gets on my shirt, which is one I just washed. I bend down and hoist him back to his feet. He’s out cold. His eyes are rolled back into his head and his tongue droops out of the corner of his mouth. I punch him again and let him fall to the ground with a sound like fruit falling down the stairs.
I close the door and lock it, then I light a cigarette.
I don’t give him a chance to talk. I torture him, break his fingers, then his knees, then his elbows and then his toes. I stuff a sock in his mouth and duct tape it there to keep him from screaming. After the second knee, he’s bawling like a baby. I spend the afternoon kicking him around the apartment. I find a cabinet full of wrenches and screwdrivers and pliers and then I use those on him, too. He looks at me so pathetically.
I finish him off by picking him up by the neck and pitching him like a baseball out the window. He falls five stories and lands on a parked car. A woman screams, just like in a movie. I leave the apartment fast, but calm, before anyone thinks to even look up. On the ground, there’s a small crowd gathered around the trashed car and the trashed thug.
I don’t believe it, but he’s still gurgling. Someone is screaming to call an ambulance. I step close to the thug and lean in close.
“You got it easy,” I whisper in his ear. I reach into my waistband and pull my gun. “The others won’t be so lucky.”
I pull the trigger. I pull it again to make sure. The small crowd is growing, and now there’s more people screaming. I hail a cab.
I’m gone.
It’s about 7 pm when I’m through. This leaves me with fifteen hours to find out what’s so important to Lusky about the shares. It’s going to be a long night.
I tell the cabbie to drop me somewhere with cheap coffee. None of that chain crap. I like my coffee with a layer of grease on top, from a pot that hasn’t had more than a light rinsing between brews in years.
He lets me out on a corner and I pay him. It’s a little diner, Maura’s. I drink two pots straight and leave a big tip.
I arrive, once again by taxi, at the corner closest to The Crab. The lights are all out and it doesn’t look like there’s anyone inside. It’s been closed ever since The Boss went. I wait for the cab to pull away, then walk around to the back door, the staff entrance. I reach up to the top of a light fixture over the back door to grab my key. I figure it’s easier to leave it here, and no one could reach up there without bringing a step stool. And besides, who would want to break into The Crab?
My key is missing.
I lunge for the door, but it’s locked. I reach up and check again for the key, but it’s really not there. Frantically, I check my pockets. I grab ahold of the door knob, almost reflexively, and give it a good yank. It pops right out, the lock inside snapping clean from its fittings. The door swings gently open.
I pull my gun from my waistband and step cautiously inside. It’s dark.
Moving in the dark through this hallway is easy. I feel like a bat, navigating by sonar. I listen. I move as quietly as I can towards The Boss’s office. When he was alive, I would never have dreamed of going into his office without permission. But The Boss is gone. He would understand.
The first sign of anything amiss is a thin line of light projecting from the crack under the door of The Boss’s office. Someone is here. I can almost smell them.
I press close to the door. There is a soft, trembling sound, almost like coughing coming from the other side. Whoever it is, isn’t moving around. They aren’t moving anything else, either. Sleeping? Waiting? How many? These and other questions flood my mind, but my body knows what to do. I should always remember to listen to my gut. My head gets clouded so easily. Lugs like me should always listen to their guts.
I kick the door to splinters and get ready to make a mess.
Sitting in The Boss’s old chair behind his heavy oak desk is a woman with a scarf wrapped around her head. A pair of dark sunglasses are on the desk in front of her. She’s holding a small square wooden object. A picture frame. She screams and drops it, and the glass shatters.
“Don’t shoot!” she shrieks. “Please don’t shoot!”
I don’t. But I keep the gun trained on her. She knows the drill. She puts her hands up. She looks at me and I see her lips tremble. She’s older. I can see the wrinkles at the corners of her glassy gray eyes and her thin mouth. She’s been crying. That was the coughing sound, I realize. Buy why?
I stand silently, utterly still. I see her bloodshot eyes down the barrel of my gun and I decide whether to waste her or not.
“Who are you?” I demand, finally breaking the silence.
She replies by bursting into tears.
I haven’t got time for this.
“Who are you?” I say again, louder, more forcefully and she drops her arms. She covers her face with her hands and sobs like a fire hydrant in the summer.
“So you really don’t know?” she manages to squeak out between sobs. “You really don’t know?”
There is a look of utter defeat on her face. The color has all gone out of her, the way The Boss looked all done up in the hospital. She sobs.
“Don’t know what? Lady, what are you talking about?”
“Oh, Arthur,” she sobs. The hair stands up on the back of my neck. My name is Arthur. My real name is Arthur.
“Oh, Arthur, don’t you recognize your own mother?”